These twenty short stories interconnect the friendships of four First Nations people — Everett Kaiswatim, Nellie Gordon, Julie Papequash, and Nathan (Taz) Mosquito — as the collection evolves over two decades against the cultural, political, and historical backdrop of the 90s and early 2000s.
These young people are among the first of their families to live off the reserve for most of their adult lives, and must adapt and evolve. In stories like “Stranger Danger”, we watch how shy Julie, though supported by her roomies, is filled with apprehension as she goes on her first white-guy date, while years later in “Two Years Less A Day” we witness her change as her worries and vulnerability are put to the test when she is unjustly convicted in a violent melee and must serve some jail time. As well as developing her characters experientially, Dawn Dumont carefully contrasts them, as we see in the fragile and uncertain Everett and the culturally strong and independent but reckless Taz.
As the four friends experience family catastrophes, broken friendships, travel to Mexico, and the aftermath of the great tragedy of 9/11, readers are intimately connected with each struggle, whether it is with racism, isolation, finding their cultural identity, or repairing the wounds of their upbringing.
Source: https://www.thistledownpress.com/html/search/Authors/Dawn_Dumont/index.cfm
Comparable to the complexity of Richard Van Camp’s work, Glass Beads is a compelling representation of urban Indigenous life.
Jade Colbert, The Globe and Mail
Glass Beads is deeply political but never ideological. Its characters are full and complex. …[T]his book tells the stories of people vastly underrepresented in CanLit.
J.C. Sutcliffe, Quill & Quire